Things tagged with music


Peter Murphy.

I can’t stop thinking about Peter Murphy. The “Godfather of Goth.” The Gothfather.

News surfaced last night that Peter was in jail in California, arrested Saturday  “on suspicion of causing injuries while driving under the influence of drugs or alcohol, felony hit-and-run and possessing methamphetamine,” according to the L.A. Times. There was an ugly mug shot alongside the story. Peter is 55 but has always seemed immortal. Here he has that unshaven, blank look of someone who has been through the wringer. A criminal. The charges come after he allegedly rear-ended a vehicle and drove off. The story quotes police as saying he appeared to be “very confused.” They also reported finding a small bag of meth in the patrol car where he had been sitting. Peter denied it was his. Or drinking that day. He said he took only his prescription anti-depressants. He blamed the collision on jet lag.

Right away, my Twitter and Facebook feeds filled up with jokes. He was driving a Subaru Forester? Hilarious! The crime took place at 11:48 a.m. The vampire prince trying to drive in California high-noon? Well that explains everything. Peter Murphy and Bauhaus lyrics that could be considered ironic now were cut up and posted. Wink, wink. Plenty more wondered how their lives would be affected: would his upcoming tour dates be cancelled? Will I get a refund? It doesn’t escape me that when an artist we admire is sick, I mean physically sick, there is an outpouring of sympathy. But if someone is known to have depression, mental health struggles, relationship problems, addiction, well how quickly they are raked over the coals. Like it’s lame. Like it’s not sad.

I don’t think it’s funny.  Not because he’s special, above ridicule. Just the opposite. Because he’s just a man. A man with problems, apparently.

Murphy Live at RPM. Better days.

We Goths, and plenty of 80s new wavers and 90s alt rockers, consider Peter Murphy A-list, an icon. Most people, like say the average L.A. Times reader, probably don’t know Peter Murphy from Adam Ant.  They don’t remember “Cuts You Up” or “Bela Lugosi’s Dead” or his role in the Hunger. The paper tagged him as “lead singer of 1970s British goth-rock band Bauhaus.” That’s close enough to a celebrity to warrant news coverage. Which means we can expect more details to come out, probably not good. About why he’s on anti-depressants. About any personal issues that might shed a light on this behaviour. (Someone on his FB page posted he’s mourning the death of his sister.) They might rip apart his finances, although the fact that he is in jail because he can’t post the $500,000 bail and there’s been no swift press release or statement yet tells you he’s not exactly rolling with high-priced lawyers or pr firms these days.  Fans can scream “leave him alone!” but that’s their job. the reporters, to report. And it’s his own fault. He didn’t have to crash that car. He didn’t have to drive away. Hit-and-run, that’s pretty low.

At least nobody was hurt.  I’ve read The Dirt. I know how Vince Neil of Motley Crue drove drunk and killed Razzle from Hanoi Rocks — and got 30 days in jail for it. (Then went on to beat up people and drive drunk again but still  get off free to date and fuck and marry models and Playmates, because he clearly does have expensive lawyers.)  I thought that made him a pretty awful human being, but it didn’t affect me. All those Hollywood celebs, glam rockers, whatever. Let them be bad. They’re not my heroes. This time though, I can’t stop thinking about it. I worry that Peter is not like Vince Neil at all, but like Dave Gahan. I think about Gahan’s heroin addiction, his suicide attempt, his near-death experience. Or Trent Reznor, whose struggles with depression and drugs, his descent down the spiral, thankfully led him ultimately to rehab, not jail. I remember how back then, in the mid-90s and even early 2000s, you mostly heard about these things much later, when the person was ready to talk about it. Not like now. People on the scene tweeted fuzzy cell phone photos of Peter Murphy being arrested. The infamy is immediate. Whatever happens in court, Peter will never be able to erase that mugshot. His Wiki bio— and his obituary — will have that mark.

Yes, there is a tour at stake. And his ability to work and to travel, if convicted.  I don’t care if the shows are cancelled. I hope his friends have called. (I’m looking at you, Trent Reznor.) I hope someone bails him out.

In 2011, Peter Murphy put out a damned fine solo record, Ninth. I saw him perform on that tour, and he was marvelous as ever. His voice sounded great. His aging body still had the moves. He was still a master manipulator of the stage, of shadow and light. On two occasions I had the chance to chat with him after the show. In these tiny, unglamorous dressing rooms he held court, smoking cigarettes and telling stories. One of my favourites was of him walking through the Leipzig Festival (the world’s biggest Goth gathering) without make-up or costume and not being recognized. I gave him a copy of my book and he said, typically, “But I’m not Goth!” My sassy girlfriend replied, typically, “Well then you will learn alot from this book.”  Sometimes the people there were really annoying. Drunks or ubergoths or both. He smiled at them anyway, listened to them, shared his cigarettes.  And when he got tired he simply waved and said goodnight and disappeared out the backdoor. I like to picture him wandering off into the night to read poetry or write a song or call his daughter or go to sleep. I like to picture him singing, dancing.

I don’t like to picture him in a mug shot, a meth user, a man on the edge. And so I will not.

Mr. Moonlight, 2011

My Top 5 picks for Pope

Today the Cardinals go into enclave and vote on a new Pope. They literally lock themselves in a room with no communication devices except a chimney. Yes, the way they let the world know a decision has been made is by burning the ballots and letting the smoke rise out of the chimney into the air over the Vatican, using chemicals to control the colour.  White smoke = new pope.

Hello, Vatican! Horns up!

While the world speculates on who will be elected, I ponder who I would vote for if asked. I do, after all, have experience in sequestered voting, having managed the Polaris Music Prize Grand Jury for a number of years. And I was baptized Catholic and taught partly by nuns before becoming Born Again Heathen so I know a few things about the Church. (Mostly fun things to do with the communion Host if you don’t want to swallow it.) But my religion has always been music. And so if I was allowed into the secret chamber to place a ballot, I’d be inclined to write in a musician candidate. Why not? The only official criteria for Pope is “Catholic” and “male.” There’s no law that says a rocker can’t also be the Pope.

And so I present my Top 5 Papal Candidates.

5. MARILYN MANSON
Age: 44
Cred: Attended Christian elementary school
Potential Pope Name: “God of Fuck”; “Antichrist Superstar”
Pros: Looks good in skirt
Cons: Card-carrying member, Church of Satan

4. TOBIAS FORGE of GHOST
Age:32
Cred: May be an actual Cardinal. Or a Bishop. Or just a Swedish metal dude in a cool costume.
Potential Pope Name: “Papa Emeritus” “Mary Goore”
Pros: Multilingual; good at keeping secrets
Cons: Um, that whole Swedish pagan thing.

3. DAVE GAHAN of DEPECHE MODE
Age: 50
Cred: Proponent of resurrection — died and came back to life after overdose
Potential Pope Name: “Personal Jesus”
Pros: Someone to hear your prayers, someone who cares
Cons: Divorced (twice)

2. BONO
Age: 52
Cred: Half-Catholic
Potential Pope Name: “Bono Vox”
Pros: Already acts like he has the job
Cons: An Irish Pope? Hahahhahahahaha.

1. CAROL POPE of ROUGH TRADE
Age: 62
Potential Pope Name: Ms. Pope the 1st
Pros: For God’s sake look at her name—she was literally born for this job!  Also, 60s is considered prime age for starting your career in the papal arts.
Cons: Her band’s biggest hit is about same-sex crush on hot teenager, probably not the theme song the Church is looking for. Oh, and there’s that whole woman thing. Well, maybe next century….

In praise of the Song

“Sing me a song, you’re a singer …….do me a wrong, you’re a bringer of evil….”

Ronnie James Dio wrote that in 1979, for a Black Sabbath album that came out in 1980. It’s called “Heaven and Hell” and it’s one of his favourite songs. Mine too, although I didn’t know it until 2010, when I first heard it. I realize that for many rock and metal fans, that’s weird, like someone telling me they’d somehow not heard “She’s Lost Control” for 30 years. But that’s how I believe people discover music, not all at once on new release day but over time, for different reasons. So why do so many music fans then turn around and get so angry when someone younger, falls in love with a song they have long cherished. Especially when that person is a singer too, and decides to cover a classic. Why so much hate?

This is on my mind because of the Olympic closing ceremony. Poor Jesse J. I don’t really know who she is, but I’m guessing she’s a big star in the UK because she kept popping up like a bad blackhead all over the face of the broadcast. I’m not suggesting she’s a blight, far from it. I thought she was pretty and a perfectly fine pop star – who had the guts to tackle singing Queen’’s “We Will Rock You” in front of millions of people, people who would have been just as happy – neigh, happier! – with a backing track and a hologram of Queen’s late singer Freddie Mercury doing it. Because how blasphemous this was! This girl! This young pop tart! How dare she! Fans of classic rock hurled snark and vitriol through the internet. Many of these same people also freaked out over hearing Pink Floyd and The Who songs sung by young people they don’t know. They weren’t too happy about “Wonderwall” being performed by Liam Gallaghar without Oasis either, but the true horror seems to come when the voice changes. I think they’re being foolish. Hell, I bet many of these whiners regularly destroy the sanctity of their favourite songs at karaoke bars…

Cover versions have brought me to some of my favourite music in the world. In 1984, when perhaps you were listening to Black Sabbath, I was enthralled with the output of 4AD records. And so I bought an album called It’ll End in Tears by something called This Mortal Coil. Not a band, but a collective collaboration between the label’s boss and his various artists. I bought it because it had Elizabeth Frazer on it, one of my favourite singers, she of the Cocteau Twins. And then had my socks knocked off, my mind blown out, my heart exploded by track 2, “Song to the Siren.”  I’m listening to it as a type this and it still gives me the literal shivers. My fingers shake, as does my breath. It’s a perfect song. And it wasn’t hers. I learned from the liner notes it was Tim Buckley’s. It would be years before I heard his original version (on the This Mortal Coil box-set actually). It’s beautiful too. But I didn’t need it. However, it was because of knowing that Tim Buckley wrote “Song to the Siren” that, ten years later, I went to the Supper Club in NYC to see another singer. Jeff Buckley.

Buckley was promoting his debut Grace at CMJ, which is full of glorious originals of his own that immediately had me in their thrall that night. But it was when he opened his mouth and warbled “I first saw you…. you had on blue jeans….”that I fell in love. He was singing “Kanga-Roo,” another song from It’ll End in Tears. I had worn the grooves of my vinyl copy of it out by then, playing that record. And here it was, alive. I remember that I cried. I then saw every Jeff Buckley gig I could get to, until he died. And I still hadn’t bothered to go listen to the original “Kanga-roo,” by Big Star. I didn’t need it.

I’m guessing there are fans of Tim Buckley and Big Star who hate that This Mortal Coil album. And that’s fine. They have their versions of those songs to love. And I have mine. There’s no blasphemy in that.

Next month, at the Toronto International Film Festival, I hope to get a ticket to see Greetings from Tim Buckley, a dramatized telling of Jeff Buckley’s relationship with his father – who had abandoned him as a child then died of a drug overdose—and the emotional journey Jeff took that led him to perform at a Tim Buckley tribute concert in 1991, a public debut that ended up launching his own career. What if he had been too worried about his father’s legacy to stand up and cover his “I Never Asked to be Your Mountain” that night? And if it were today, what would the twitterverse say? Would he have been virtually booed off the stage?

The song is the thing. It is meant to outlast the singer. That’s why Black Sabbath kept playing “Heaven and Hell” after Ronnie James Dio left the band, with other vocalists And it’s OK. More than OK, it’s the right thing to do. The original is still there for all to discover, whenever they need it. The song itself, well, it goes on and on and on…..

I am a girl. I like high heels and red lipstick and being called beautiful and having the umbrella held over my head for me when it rains by someone tall, pale and handsome; I by far prefer wearing dresses to pants. (Not that you can’t be a girl and the opposite of all that, of course.) When I ride, I ride a girl’s frame bike, with flowers on it. But when I write, I am a writer. Period. I don’t think of myself as a female writer, or a feminist writer. I don’t subscribe to the Women in Horror month/movement. I don’t study or cover gender relations. I want my work to be judged on its own merits, against my own work and other work of its kind, whether made by women, men, two-spirited people, or asexual aliens.

As a reader though, I do tend to gravitate towards other women writers. Particularly poets and novelists but also journalists, especially those who, like me, cover arts and culture. Well, for many years that’s what I did, reviewing CDs and concerts and when I was lucky interviewing really interesting people who make music. I work more in film and TV these days, but I still do it whenever I can, and I still care about the art of dancing about architecture. And so I read alot of women reviewers, maybe because I’m proud of them, I appreciate what they are doing on a professional level, and I want to support it. Or maybe because when women write about music, you generally don’t get articles like this profile of Canada’s Metric, by Ben Kaplan, in the National Post, in which he focuses on Metric singer Emily Haines as a smart sex symbol and muse who “attracts boys like free beer” and who he once (OMG!) had the opportunity to give an (unwanted) hug. Not suggesting female writers don’t ever crush on their subjects, or that sexy artists can’t be described as such, but I found the tone of this piece downright creepy, and was deeply confused about why the editors chose to run it as-is. (Besides being overworked and understaffed, but that’s another rant.) I’m guessing they too were men, who would find nothing untoward about it. Same as those who handled a piece that ran the same week in the Globe and Mail about Drake vs. Chris Brown by Brad Wheeler, which put Brown’s assault on Rhianna into parenthesis while referring to the singer as “the mother of all must-haves” and making the useless statement “other highly desired females in history include the widow Jackie Kennedy and Hollywood’s Marilyn Monroe.” As bad-ass heavy metal music writer Natalie Zina Walschots tweeted, can you imagine a paper printing “other highly desired males in history include Beowulf and Mick Jagger“? Ridiculous. These articles ignited a flurry of angry responses from male and female readers, including many other music critics. And they got me thinking about how grateful I am that in moments like that one can turn to read coverage written by women instead. The field of journalism is thankfully pretty open to women. Personally, I’ve never felt any discrimination in my career path because of gender and have worked for plenty of talented women editors and publishers. [Waves to Shirley Halperin and Carrie Borzillo]. I’ve looked around many times over the years and noticed how many of the music sections/publications in my country were being run by ladies. (Nostalgic nods to Mary Dickie, Mary-Lou Zeitoun, Betsey Powell, Denise Sheppard). I’ve never been treated like a groupie on the job. (Granted, I’ve never interviewed Gene Simmons.) However, I do recognize things aren’t in perfect balance. This TedTalk video by Megan Kamerick outlines that women make up under %40 of newsroom staff, and how women are underrepresented as subjects and experts in news stories and how all that spins the news towards victimizing and sexualizing women. It’s not specifically about music, but well worth 10 minutes of your time.

My response to all this is to praise those girls and women who are going good work reporting on music. Whose words rock my world as much as the sounds they cover. There are so many, but here are just a handful. Read them. They will inspire you, teach you, provoke you. They are unlikely to write about giving musicians unwanted hugs.

LIZ WORTH is the Toronto author of Treat Me Like Dirt: An Oral History of Punk in TO and Beyond and the poetry collection Amphetamine Hearts. I believe our first encounter was her interviewing me for the Goth zine Raven’s Call several years back; our most recent was drinking slushies in the park waiting for an astrological phenomenon. She once gave me the awesome gift of a hardcover copy of Encyclopedia of Rock by Lillian Roxon. She is working on a novel now but I never know just what she’s going to do next. She is mysterious and brave. See what I mean on her Radio Forest blog or her Twitter.

AMY KLEIN is an American musician and writer I discovered when her piece “Tour Diary Day Four: Rock and Roll is Dead”was included in the Best Music Writing 2011.  In it she examines how the lack of images of girls playing guitars or any instruments in Rolling Stone magazine, and what that means for public perception of women making music. I like her blog and when her byline pops up in unexpected places, like this list of Feminist Anthems for Spinner.

JAAN UHELSZKI was a founding editor of America’s legendary Creem magazine and has done more amazing things in her life than I could possibly list here, but much of which is revealed in this interview. When I was working on the TV series Metal Evolution, it was important to me to include female voices; in the world of metal this turned out to be tricky but I am glad we got Jaan in there talking about the Detroit scene in the ’60s and more. If you have an account with Rock’s Back Pages you should read her famed 1975 article “I Dreamed I was on-stage with KISS in my Maidenform Bra.”

ANUPA MISTRY is a hard-working Canadian freelancer and, relative to these others, a new kid on the block, but I find I always learn new things when I read her reviews. She writes mostly about hip-hop, a genre I do need more schooling in, and that can use more smart women commentators, for sure.  Start with her feature on middle-class rap for Toronto Life then follow her on the Twitter.

GILLIAN G. GAAR is the Seattle-based author of She’s a Rebel: The History of Women in Rock, published in 1992 and still my go-to guide for unearthing and understanding overlooked records made by ladies. She worked as a senior editor at the Rocket and was on the scene through the grunge explosion. According to this interview about her relationship/coverage of Nirvana, she got started writing for a Rocky Horror fanzine! Her next book on Nirvana is out this summer.

A must-have for your music reference library

LISA ROBINSON is a contributing editor for Vanity Fair and, to me, one of the best magazine writers out there, full stop. For decades now, she’s covered the biggest names in all genres of music for the publications that really matter and is a master of the celebrity interview. Yeah, you might know her for the big Michael Jackson and Lady Gaga profiles now but she was talking to Patti Smith in the 1970s for Hit Parader and her early coverage of  The Ramones helped them land their first management deal.  I aspire to her ability to be a confidante to her subjects without losing her reporter’s instincts. Of anyone, she has consistently inspired me the most. And she does a decent TV interview too:

http://www.youtube.com/watch?v=AC8-YgnGwTc

I welcome your suggestions for others I should read, below…

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